BUZZCOCKS: THE ROXY, LONDON, ENGLAND 4.2.77. SOUNDBOARD RECORDING.

Many people truly enjoyed the first Buzzcocks post that I submitted here on More Than a Witness, so here is yet another fantastic show recorded during early 1977. Making their live debut in July 1976 (providing support for the Sex Pistols second ever Manchester gig), this excellent soundboard recording documents the group shortly after they made the transition from Howard Devoto (he returned to college for one year than formed the mighty Magazine shortly after leaving a pursuit in academia) to Pete Shelley as group vocalist. Shelley's high-pitched, melodic vocals were a standout during the first wave of English punk because they stood in stark contrast to the gruff, atonal stylings of both inferior punkers and the majority of pub rock holdovers.

Sporadically, a soundboard recording will surface that is nearly flawless. This is one of those documents. This soundboard recording is bright, evenly mixed, and truly captures the spirit of seeing one of the greatest punk groups of all time growing up in public.

Tracklist:

1. Orgasm Addict

2. No Reply

3. Get On Our Own

4. Fast Cars

5. What Do I Get?

6. Friends of Mine

7. Sixteen

8. Time's Up

9. Oh Shit

10. Boredom

DOWNLOAD:

http://www.mediafire.com/?ln5z5nzmwmm

THE REACTORS: UNRELEASED 1979 REHEARSAL DEMOS.

The Reactors are well known in the Killed By Death collecting circles for their painfully rare 45 "I Want Sex". Many of us first became aware of this track after it appeared on "Killed By Death #14". Since nearly any of us can afford one of these illusive wax platters, we are lucky that the Italian label Rave-Up released a great retrospective of nearly everything that the band recorded. I say "nearly" because this collection leaves off three classic rehearsal demos recorded by the band. After that project was compiled, Shep Ginzburg (singer/guitarist) unearthed one more long forgotten tape.

Here are Shep's memories of the session:

"It was recorded in our rehearsal space on 46th and 8th Ave (among the hookers and dope dealers). We miked up everything and ran the wires out into the hallway. I had my friend Tom Lowden mix the band through a pair of headphones, and we recorded it to reel to reel mono, because our console was monophonic. Tom had a very tough time because we played so loud that he couldn't tell what was coming from the headphones and what was just in the hall bleeding from the room".

These tracks were recorded in 1979 after the Reactors made their move from Bridgeport, CT to New York. Sheperd Ginzburg plays guitar and sings, Bob Payes plays bass and Cathy Burke provides drums.

These versions have never been released or have been circulated in any fashion before now.

Tracklist:
1. I'm A Reactor
2. Dock Of The Bay (Redding)
3. University Eternity

DOWNLOAD:

http://www.mediafire.com/?zgmmm24jfy1

THE CLITBOYS: "DETOUR" DEMO, 1982.

The Clitboys hailed from Milwaukee and are perhaps best known for being name checked as one of Bambi's favorite bands in the Meatmen track "Punker-ama" on their "War of the Superbikes" album. The hilarious song implies that the Clitboys (along with MDC and Crucifix) were a stiff hardcore group that sung about stale political issues of the day. Perhaps they weren't Chomskyan in their ideological approach, but they tackled some issues that were unique ("Gays OK", "Slogan Boy") considering the punk-jock climate of 1983. Regardless, I always have enjoyed their "We Don't Play the Game" 7" EP on Feedback Records. This was released in 1983 and although many dismiss it as generic stop-and-go Midwest hardcore, it's actually an enjoyable listen.

This 1982 demo is quite similar to their 7" EP. As a matter of fact, the recordings of "Have Faith", "So Funny" and "We Don't Play the Game" were later featured on their debut record. The tracks on this demo are reminiscent of the first JFA 7" but with less prominent vocals. I'm waiting for someone to cut a bootleg LP of several classic Midwest hardcore demos on one LP. This demo would be an excellent fit on such an item.

These 8 tracks on this demo were also available on the "First Strike" compilation cassette released by BCT in 1983.

Tracklist:

1. Time for Another War
2. Have Faith
3. I Hate the KKK
4. Apathy Rules
5. So Funny
6. Rat Race
7. Gotta Go to War

8. We Don't Play the Game

DOWNLOAD:

http://www.mediafire.com/?z24wvzjwzar

X FACTOR: "BLUE BASEMENT" DEMO, SPRING 1982.

X-Factor were arguably one of the earliest Connecticut bands that had an identifiable proto- hardcore sound. Prior to 1982, there had been a thriving punk scene in New Haven and the surrounding area but these bands had a straightforward punk sound or leaned toward playing power-pop or new wave. It wasn't until 1982 that a faster and more aggressive sound emerged from Connecticut, which originated from the city of Bridgeport.

Most readers of this blog are probably quite familiar with CIA and Lost Generation (who also called Bridgeport home). These groups formed around the same time these demos were recorded and went on to release classic records. X-Factor however would fade into obscurity due to some member changes only to be reborn as Reflex From Pain with the addition of a new singer and guitarist. The core of X-Factor first played together in a band called the Xtras. Are you starting to detect a pattern in the names here? Yeah, I refer to them as the lineage of "X" bands. Bill Knapp is the common denominator in all these X bands. He played drums in these bands and several other bands that came afterward.

The line up for this demo consists of Bill Knapp on drums, Steve Schneider playing guitar, Dave Ware on bass and John "Ziggy" Viens providing vocals.

Bill and Steve had played in the The Xtras and 532X prior to X-Factor. Dave Ware played in Reflex From Pain and 76% Uncertain (again with Bill Knapp on drums) after the demise of X-Factor. Ziggy sang for ADX after leaving X-Factor.

Blue Basement Studios was a pseudonym for Bill Knapp's parents basement named after the shade of paint on the walls. Many of the early Connecticut hardcore bands recorded here. The Vatican Commandos, CIA, and the Violent Children all cut material there. This batch of X-Factor songs were recorded in the spring of '82 and is their second demo. The songs "Media Control" and "American Express" were later re-recorded by Reflex From Pain.

I will post several more great unreleased Connecticut hardcore artifacts in the near future.

DOWNLOAD:

http://www.mediafire.com/?lzuzhvuzyun

MORE THAN A WITNESS WELCOMES CONTRIBUTOR JOE SNOW

Referring to Joe Snow as a Connecticut hardcore fixture would probably be putting it pretty lightly. Growing up in Connecticut and attending hardcore shows by the mid 80s, Joe was a mainstay at the Anthrax club photographing all of the classic bands of the era. Many of his photographs can be seen garnishing countless late 80s hardcore records. Once I even heard a story that his wife Sue used to drive Crippled Youth to shows they were playing when they were too young to drive.

In recent years, Joe has revived the classic label Incas Records. Incas was responsible for classic releases throughout the 1980s by bands such as 76% Uncertain, Lost Generation, Vatican Commandoes, CIA, and the Connecticut Fun compilation. In recent years, Incas has re-released the classic Connecticut Fun compilation and a fantastic CD collection titled “Up All Night” that chronicles the first wave of Connecticut punk rock.

Joe has a vast knowledge of hardcore coupled with an impressive collection of unreleased material that has never seen the light of day. Much of this material will be showcased on this site. I am very excited to have Joe as a contributor here at More Than a Witness and am looking forward to what he is going to share on this site.

NO TREND: HOLLYWOOD, CA 11.19.83. SOUNDBOARD RECORDING.

No Trend are easily one of my favorite bands of the hardcore era. They were rejects in a scene comprised of so-called misfits. Defining themselves in opposition to the narrow hardcore acts of their day, No Trend seemed to despise everything in their path. For example, they didn’t make many friends when they were crammed flyers that read: “No Trend, No Scene, No Movement” into all the Coke machines that the Georgetown/Washington DC straight edge types bought soda from. Ultimately, the goal of No Trend was to turn the hardcore scene inside out in an effort to expunge the narrow-minded types from ever turning up. This dialectical approach served to alienate the insular factions within the scene while finding smarter people who were still into the dictates of aggressive music.

Their approach to music was more akin to Flipper or the Butthole Surfers. The first demo, the “Teen Love” 7”, and the “Too Many Humans” 12” are all superb examples of abrasive and sardonic deviations from the dim-witted hardcore norm. These records probably confused a great deal of people at the time, but those who liked it understood what it was all about.

Taking the road in a damaged ’76 Ford ambulance, they played all of the major venues on the hardcore map in 1983.This live recording is a great soundboard of a show played in Hollywood on November 11, 1983. This soundboard recording is crisp and clear. From what I recall, this recording is better than the live tracks on the official No Trend CD. Unfortunately this set is not complete as there are only 4 songs included here. It’s highly probable that a complete recording of this show exists. If you have a complete recording of this show, please get in touch.

Track List:

1. Do As You're Told

2. Fashion Tips For the 80's.

3. Mindless Little Insects

4. Mass Sterilization Caused By Venereal Disease

DOWNLOAD:

http://www.mediafire.com/?mlynynmwdhm