Showing posts with label DEAD KENNEDYS. Show all posts
Showing posts with label DEAD KENNEDYS. Show all posts

Wednesday, March 31, 2010

DEAD KENNEDYS: "A SKATEBOARD PARTY", STUTTGART, GERMANY, 9.13.82. SOUNDBOARD RECORDING.



The brilliance of the Dead Kennedys has always been tied to their expertise at giving their creation three-dimensionality while retaining the vigor of hardcore punk. They combined truly crushing, high-speed guitars and drums with sardonic political and social commentary. Even when they reduced their sound to simplistic hyperactive stuff (“In God We Trust”) they still managed to sound fresh and thus shred most of the competition doing the same thing.

The perception of the DK’s since their ’86 breakdown has been anything but ridden with irony. As ardent symbols of anti-establishment ideologies during their time as a band, they’ve become increasingly more accepted within the mainstream since their passing. A great deal of this surely stems from the fact that the former members (excluding Biafra) have seen it fit to give the band a more commercial showcase.

In contrast to this, the appeal of the Dead Kennedys has worn off amongst underground DIY hardcore aficionado types. Ironically, the band that pioneered American hardcore with their inimitable style, commendable standards, and uncompromising resistance to the usual targets have been demoted to the ranks of introductory punk 101 fodder. There may not be much exclusivity in being a Dead Kennedys fan, but considering their output, it’s quite rewarding.

“A Skateboard Party” was the first Dead Kennedy’s live material that I had ever heard. Growing up in Western Connecticut, I was fortunate enough to live only a few minutes from one of the coolest records stores I’ve ever been to, Trash American Style. I remember recording this LP so I could listen to it on my cheapo Sony Walkman (does anyone even own a Walkman anymore?) at high school. I loved how the versions included on this illegitimately produced (more on that later) were much more rapid and convulsive than the studio versions. Listening to this again right now, it’s effortless to appreciate how much of a live powerhouse the Dead Kennedy’s were. Darren Peligro’s apeshit drumming on this LP is altogether riotous and it rarely lets up. Hands down, he’s one of the greatest drummers to have at it.

The story behind “A Skateboard Party” is that Jello Biafra said the guy behind Starving Missile Records in Germany could press a limited quantity (1000) of the soundboard recording he got from the gig the band played on 9.13.82 in Stuttgart. This release was done in cooperation with Alternative Tenticles and the band was subsequently paid. The original pressing had a black and white live shot of Biafra on the cover. This record was quickly repressed incessantly (at least 10,000 copies are out there) without permission by Mülleimer Records in a blue sleeve. This unscrupulous act led the DK’s to never consider anything like this again.

This recording is one of the best unofficial Dead Kennedys documents out there. The soundboard recording is nearly unblemished, perhaps lacking a slight bit of treble in the mix. This is worth downloading simply because Biafra tells a female in the crowd he’ll sign her an autograph with his dental chart and that they briefly attempt an improvised Heino cover.

Some sources claim that this is bootleg LP consists of two shows: Stuttgart 9.13.82 & Munich 9.15.82. If anyone has clarification on this, please drop me a line at the email listed on this archive.

Track list:
1. Holiday In Cambodia
2. Let's Lynch the Landlord
3. Chemical Warfare
4. Nazi Punks Fuck Off
5. We've Got a Bigger Problem Now
6. Too Drunk To Fuck
7. Kill the Poor
8. Man With the Dogs
9. Forward to Death
10. Kepone Factory
11. Life Sentence
12. Moral Majority
13. Forest Fire
14. Winnebago Warrior
15. Police Truck
16. Bleed For Me

DOWNLOAD:

Tuesday, October 27, 2009

FEEDERZ: LIVING ROOM DEMO 1979/80.



To me, the finest punk groups with the greatest sense of cultural vitality possess the skill to move past the simple confines of the genre. The Feederz are one of the finest examples of such bands. Before even playing a gig, the band distributed literature that was interpreted as being a terrorist communiqué. Their first gig was highlighted by singer Frank Discussion firing blanks from anAR-15 assault riffle into the audience. In 1982, Discussion composed an anti-school manifesto entitled “Bored With School” that posed as an announcement from the Arizona Department of Education. These pamphlets were somehow not checked for content and distributed in large quantities. Facing inevitable prosecution, Discussion fled Arizona and took refuge in San Francisco were the second lineup of the Feederz was formed.

Some testimony to their recorded output is clearly necessary. “Ever Feel Like Killing Your Boss?” is simply one of the best hardcore records ever released. The tracks are truly diverse and show that the band was musically competent and ideologically clever. The lyrical themes reside beyond the confines of political correctness while also being truly seditious. In situationalist fashion, the sleeve of the album is enshrined in sandpaper so that it could damage and thus devalue your other albums.

The “Living Room” demo was recorded in late 1979 and early 1980 and feature the first lineup of the group. These tracks were recorded in bass player Clear Bob's living room. All four songs from the "Jesus" EP are included on this demo as well as many tracks from the yet to be recorded debut LP. "Peter Gunn Theme" was compiled on the all California "Killed By Death" Volume 12 and “Stop Your Killing Me” has been compiled on “Killed By Death” Volume 14.

Track list:
1. Subscription (cut)
2. Just Like Your Mom (Vox Pop)
3. Mommy’s Gone
4. Dead Bodies
5. Avon Lady
6. RU 19
7. Jesus
8. Smile
9. Peter Gunn Theme
10. Terrorist
11. Stop You’re Killing Me
12. Destruction Unit
13. Vulvateen

DOWNLOAD: