Saturday, June 12, 2010

CIRCLE JERKS: SPACE II ARCADE,WASHINGTON DC. 5.13.83. SOUNDBOARD RECORDING.



Adjacent to two other majestic seaside cities, Hermosa Beach provides the world with numerous pearls of culture: surfing, beach volleyball, sunbathing, and the birth (arguably) of hyperkinetic genre known as hardcore punk. Clearly it must have been the South Bay’s gentle westerly sea breezes that influenced the formation of both Black Flag and the Circle Jerks.

Yeah right.

Considering the delightful surroundings, gorgeous people, and general Pollyanna-glaze good vibrations of the beach, it makes sense that the blueprints of hardcore punk were first sketched here. Defining itself in opposition against all creatures with perfect white teeth and Lacoste polo shirts, these embryonic agitators had a great deal to unite against. The dichotomy of this stark schism gave the world the “Nervous Breakdown” 45 and the “Group Sex” 12” amongst countless other classic records that generally haven’t matched up to these two epitomes of the emerging style of hardcore punk when considering both quality and legacy.

As captured on celluloid in “The Decline of Western Civilization” and in countless photographs, singer Keith Morris can regularly be seen clutching a lone Budweiser while he stalked the lip the stage. I always thought this was such a cool gimmick that he implemented; Keith sold the synchronized image of a rabble rouser dodging a continual barrage of anarchic bodies in search of teenage release and a lonely barfly nervously clasping the only inebriant that he can afford at the end of a local dive bar.

This show (recorded during the spring of ’83 at the Space II Arcade in DC where a slew of hardcore gigs took place) is a solid document of how the Circle Jerks had grown from an act toying initially with the draft of a nascent genre of music to a full-time touring powerhouse and inspiration to many new homegrown hardcore punk acts. This set is from a soundboard source and shows a slight generational loss when played back but largely the quality is excellent. The furious pace of this set is heightened by the fact that the master tape was edited so that between song space is removed. Normally I hate it when it tapers take such liberties but this edit job really adds to the absolutely unyielding rapidity of the set. Chuck Biscuits also demonstrates an impressive one-man drum clinic behind his maple colored Ludwig that he was presumably demolishing at the time with each stroke of his trademark percussive supremacy. His workout on "When The Shit Hits the Fan" is considerably awe-inspring.


Track Listing:

1. Red Tape (cut)
2.I Just Want Some Skank
3. Beverly Hills
4. Operation
5. Wasted
6. Up Against The Wall
7. Bad Words
8. Under The Gun
9. Behind The Door
10. Stars and Stripes
11. Question Authority
12. Moral Majority
13. Letter Bomb
14. In Your Eyes
15. Defamation Innuendo
16. High Price On OUr Heads
17. Paid Vacation
18. Trapped
19. Coup D'etat
20. Wild In The Streets
21. Parade of the Horribles
22. Deny Everything/When the Shit Hits the Fan
23. Leave Me Alone
24. Don't Care
25. Live Fast Die Young
26. Junk Mail
27. Just Like Me
28. Put A LIttle Love In Your Heart
29. World Up My Ass

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11 comments:

  1. Killer! Thanks.

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  2. Wiiiiiiilllllddddd!!! Thanks!

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  3. Thanks. I have several dates either side of this one (New York and new Jersey) If you're interested.

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  4. I'd love to get the other shows recorded around the time of this one. Please get in touch with me via email and we'll set something up: morethanawitness@gmail.com

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  5. A great era for the band. I always thought the third CJ LP was an improvement over the lukewarm "Wild In The Streets." Too bad Biscuits never recorded with them!

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  6. They did record with Biscuits but they recorded over it with the next drummer after him.

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  7. I seen the Circle Jerks with Biscuits in 1983 in London, Ontario Canada. The best Circle Jerks ever!

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  8. I was at this show, it was a really good CJ show. Biscuits was an amazing drummer, he really kicked the songs along

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