BORN AGAINST & SICK OF IT ALL DEBATE. CRUCIAL CHAOS, WNYU-FM. FM BROADCAST.

To say that this recording is entertaining is putting it quite lightly. Simply put, what begins as as a meeting of the minds quickly turns into a discourse of vitriolic proportions. And it's also the most notoriously known half hour in the history of WNYU radio. On one side, Steve Martin (founder of In Effect Records and formerly of Agnostic Front), Lou and Pete Koller of Sick Of It All, and Sam of Evacuate Records represent the alleged commercially motivated hardcore contingent of the late 1980s New York hardcore scene. The other side, representing the populist, do-it-yourself faction involved in New York hardcore is Sam McPheeters and Adam Nathanson of Born Against/Vermiform Records and Charles Maggio of Rorschach/Gern Blandsten Records.

What begins as an on air radio debate about the principles of censorship, the hardcore economy, and the role of artist in the underground turns into an in-studio brawl. There's certainly some interesting points along the way. McPheeters, Nathanson, and Maggio are populist purists rooted in the tradition of do-it-yourself hardcore and are blatantly calling bullshit on In Effect Records and Sick Of It All because they feel they are selling out.

I find this document to be really captivating. In the archetypal days of hardcore, there were no online message boards for a legion of people to speak with digital courage. Disputes were settled by the primal act of street justice. Considering the zeitgeist of New York hardcore in the late 80s, this debate truly shows the convergence of two separate hardcore scenes with vastly different ideals concerning scene politics. The regional experience of New York hardcore has always been entrenched in working class, tough, and unsophisticated ideals. In my opinion, it's always served as a reaction to the cosmopolitan culture of Manhattan. The second wave of New York hardcore (of which In Effect Records and Sick Of It All were key players) was defined by right-wing philosophies and violence. Born Against, Rorschach, and the other bands that comprised the ABC No Rio scene in the late 1980s served an alternative to this culture. This recording captures this cultural wrangle in real time.

The quality of this tape is satisfactory considering it was recorded in the WNYU studios. This version suffers from the slightest bit of tape hiss that I have yet not tried to correct digitally.

If anyone has the date this was recorded, I would really appreciate it if you could pass this information along to me.

DOWNLOAD:

http://www.mediafire.com/?nmgeizz0g5c

MORE THAN A WITNESS TAKES ON THE RADIO SILENCE HOLIDAY JAM

If you're going to be in New York area this upcoming Monday night December 14th, I will be spinning classic hardcore records at the Charleston on Bedford & North 7th in Brooklyn. Mark Ryan (of Supertouch), Anthony Pappalardo (author of Radio Silence), David Castillo (Chronic Youth) and Andy Pry will also be spinning records. Walter Schreifels (of Gorilla Biscuits) Band, Birds of Prey, and Give will be performing live. It promises to be a fun evening and you should come out and say hello.

All the DJ action is upstairs and free. The show will be in the basement of the Charleston and costs $8. The first 50 people who pay to get into the show get a limited t-shirt. There will be free Jameson until it runs out. Also, if this isn't tempting enough for you, if you buy any drink at the Charleston you get a free mini pizza.

For those unfamiliar with the Radio Silence book, it's simply a tour de force of hardcore artifacts that you should own. Authors Anthony Pappalardo and Nathan Nedorostek tirelessly rummaged through the collections of such hardcore luminaries as Jeff Nelson, Pat Dubar, Cynthia Connolly, Dave Smalley, Gavin Ogelsby, Walter Schreifels, and many others to produce a comprehensive collection of unseen images, original artwork, rare records, t-shirts, and other great artifacts.

More information about Radio Silence can be found on the official blog for the book: http://www.radiosilencebook.com/

BL'AST: SPORTMAN'S LODGE, SUN VALLEY, CA. 6.20.85. SOUNDBOARD RECORDING.

Hailing from Santa Cruz, CA and originally forming under the monicker M.A.D. (standing for Mutually Assured Destruction, of course) in late 1982, Bl'ast (the apostrophe was used to make their visual logo "more dynamic" according to vocalist Clifford Dinsmore) are of my favorite hardcore bands to ever exist. Detractors will often cite that they made a career out of imitating label mates Black Flag but this opinion doesn't lend itself to the fact that Bl'ast were a great band in their own right and definite forerunners of the stoner rock sound. Without question, guitarist Mike Neider and drummer Bill Torgerson selected a Dan Armstrong guitar and Ludwig Vistalite drums respectively because their heroes Black Flag made this look renowned. Henry Rollins mentions this briefly in a "Get In the Van" entry where he clearly discredits the band for being unoriginal and tacky.

Regardless of the fact that "Power Of Expression" LP has been permanently burned into my prefrontal cortex, I still get excited every single time it finds itself on my turntable. This soundboard recording is nearly just as powerful. This 1985 set recorded in Sun Valley, California showcases Bl'ast performing material that would find itself on their debut album shortly after. The sound quality is excellent and the mix is nothing to scoff at. This is a remarkable recording that should find itself in the collection of any self-respecting Bl'ast devotee.

Track list:

1. Our Explanation

2. I Don't Need It

3. Break It Down

4. E.I.B.

5. Fuckin' With My Head

6. School's Out (Alice Cooper)

7. Surf and Destroy

8. The Future

9. It's Alive

10. 12XU (Wire)

DOWNLOAD:

http://www.mediafire.com/?wlljwwmwd5m

YOUTH BRIGADE: 1981 DEMO

Youth Brigade (not to be confused with the band from Southern California with the same name) were a crucial band that was a part of first wave Washington DC hardcore. Youth Brigade was comprised of several members that had already been in bands from Washington; vocalist Nathan Strejcek sang for the Teen Idles and drummer Danny Ingram had previously been in the Untouchables. After playing their first show in March of 1981 at Washington DC venue Food For Thought, the band brought Bert Queiroz (bass) and Tom Clinton (guitar) into the fold. Shortly before Dischord released their sole record, Youth Brigade opened for Black Flag on their first ever trip to the east coast. The debut EP was entitled "Possible" simply because of an early Dischord fanzine advertisement which stated: "possible record from Youth Brigade soon". After the group disbanded, they appeared on the seminal "Flex Your Head" compilation and various members went on to form Double O, Peer Pressure, Second Wind, and Rain.

This demo has been bootlegged onto vinyl twice. It first surfaced in 1994 on the Ripe Harvest label as a split double 7" with the great No Labels from North Carolina. My copy is on green and pink vinyl. This material surfaced once again on vinyl in 2001 on a split LP with Minor Threat (which also featured their classic debut demo) on the Recollect label that was based in the Netherlands.

This demo features several tracks that were not rerecorded for any subsequent releases. "I Object", "Youth Brigade", "Bouncer", and "Snow Job" were only featured on this demo recording. The rest of tracks were rerecorded for the "Possible" 7" and the "Flex Your Head" compilation LP.

The sound quality is strong considering that this was meant to be used as a demo.

Track list:

1. I Object

2. Full Speed Ahead

3. Last Word

4. Waste Of Time

5. Youth Brigade

6. Bouncer

7. Snow Job

8. Moral Majority

DOWNLOAD:

http://www.mediafire.com/?mjezxyd5kzz

THE CRUCIFUCKS: "I AM THE ESTABLISHMENT" 1982 DEMO.

My first taste of the Crucifucks came when I received a dubbed copy of their debut album on Alternative Tentacles from my friend's older brother. I had previously seen the band's name in mailorder catalogs prematurely considered the band a favorite based on their monicker. The quality of this cassette suffered from multi-generational hiss (due to the fact that it had been dubbed and redubbed for fledging punkers such as myself) and had many near death experiences in my tape deck from being eaten.

Regardless of these significant sonic impairments, I could easily understand that Doc Corbin Dart was a brainchild. His vocals are simply unreasonable and defy any logical comparisons due to their shrill quality. I suppose one could say that Doc Corbin Dart sounded like Jello Biafra raised to the tenth power or even at times, Roger Rabbit. These days, Doc Corbin Dart has legally changed his name to "26" and has totally renounced this debut album and the concept of swearing.

Without further delay, here is the first Crucifucks demo tape. This was recorded in Lansing, Michigan in 1982. This demo was recorded approximately a year and a half before the debut album was released. "Leave Me Alone" was not recorded for the first album and is only featured on this demo tape.

Track list:

1. Democracy Spawns Bad Taste

2. Go Bankrupt and Die

3. Legal Genocide

4. You Give Me the Creeps

5. Marching For Trash

6. Cops For Fertilizer

7. I Am the Establishment

8. Leave Me Alone

9. No One Can Make Me Play Along With All Of This

10. Hinckley Had a Vision

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LINK REMOVED PER REQUEST BY ALTERNATIVE TENTACLES 

BLACK FLAG: POLLIWOG PARK, MANHATTAN BEACH, CA. 7.22.79. AUDIENCE RECORDING.

After playing a handful of local gigs and making a small name for themselves during the first part of 1979, Black Flag was somehow booked to perform in front of little over 1000 people on a Sunday afternoon in Manhattan Beach's Polliwog Park on July 22, 1979. Clearly the event organizer had no knowledge of what Black Flag represented. The Tourists and Big Wow were two new wave groups that opened the show and I have read in some sources that Black Flag was a last minute replacement. Either that or Greg Ginn did his typical finagling when it came to speaking to a promoter; Ginn's angle to bypass a booking refusal was to tell a promoter that Black Flag were "a rock group with jazz influences".

The crowd of Southern Californian families had no idea what was about to hit them that afternoon. Expecting a relaxing Sunday afternoon in the park while casually listening to a tame, bearded Eagles type rock group, onlookers were treated to the unadulterated vitriol of a young Black Flag. One fan reflected on seeing Black Flag that day: "They played for my winning Little League team that day. They were a last minute replacement band. We threw chicken bones and watermelon at them". 100 or so ardent Black Flag fans turned out for the performance and acted totally unruly. A local newspaper described that crowd as "jumping up and down in the traditional punk pogo and pelted the band and nearby crowd with oranges, tomatoes, watermelons, cans, rocks, and bottles".

The audience source of this recording is indeed primitive sounding for the casual listener of Black Flag. Regardless of the quality, this is truly a significant and historic performance. It's incredible to think that this performance even lasted 24 minutes (6 minutes of it being an actual riot) and that the plug wasn't pulled on the band during one of the first few songs. Unfortunately there is considerable clipping during "Machine" and a drop out during "I've Had It". Regardless, this is an enjoyable listen and truly a lasting punk rock document from an era when bands were truly confrontational.

If anyone has a different source of this performance, I would love a copy.

Track list:

1. Don't Care

2. White Minority

3. I've Heard It Before

4. Machine

5. I've Had It (cut)

6. Nervous Breakdown

7. Spray Paint

8. Jealous Again

9. Police Story

10. Promoter speaking to the crowd/rioting

11. Revenge

12. Fix Me

13. Depression

14. Louie Louie

DOWNLOAD:

http://www.mediafire.com/?mj5dz0hldlc